In a world increasingly mediated by screens, algorithms, and artificial systems, our work creates spaces for encounters with something older, slower, and profoundly alive.

We gather fallen leaves, branches, seeds, sounds, and traces from the landscapes we move through, transforming them into enigmatic presences we call Ephemeral Beings. These figures seem to emerge from the land itself, carrying the memory of forests, coastlines, and seasons within their fragile forms. They appear onlybriefly, existing at the threshold between sculpture, ritual, and living ecology.

Through photography, film, and sound, we preserve these fleeting encounters before returning the works to the environments from which they came. There, they gradually disappear, surrendering to weather, time, and decay.

Our practice asks a simple but urgent question: what becomes possible when we stop treating nature as a resource or backdrop and begin to see it as a creative force in its own right?

By working with impermanence rather than permanence, collaboration rather than control, we create works that challenge human-centred ways of seeing and invite audiences into deeper relationships with the living world. In an era defined by environmental crisis, we believe imagination is not a luxury. It is a necessary tool for rethinking how we belong to the planet.